On 30th November, some of my course mates and myself, went to London to see “The World Goes Pop” exhibition at the Tate Modern and the Ai Weiwei exhibition at the Royal Academy of Arts.
On arriving in London, we quickly grabbed some lunch and then made our way to the Tate Modern to “The World Goes Pop” exhibition (17th September 2015 – 24th January 2016).
“From Latin America to Asia, and from Europe to the Middle East, this explosive exhibition connects the dots between art produced around the world during the 1960s and 1970s, showing how different cultures and countries responded to the movement.”
“This exhibition will reveal how pop was never just a celebration of western consumer culture, but was often a subversive international language of protest – a language that is more relevant today than ever.”
– Tate Modern on “The World Goes Pop” exhibition.
I could not wait to go and visit this exhibition, as it was bursting with eye-popping colours and excitement. In a way, walking around the exhibition reminded me of being in a confectioners as the walls were painted these bright, sickly colours and there were all these fascinating and obscure art works.
We then went to the Ai Weiwei exhibition at the Royal Academy of Arts, which I found very fascinating and powerful.
I throughly enjoyed the exhibition but I never fully got round to properly seeing some of his spectacular works in full, as the exhibition was so busy.
From the exhibition, one of my favourite works was “Straight, 2008 – 12” which is a two hundred tonne installation consisting of steel rebars. This significant piece represents the lives of the students who tragically perished in the Sichuan earthquake on 12th May 2008. This horrific earthquake measured 8.0 on the richter scale and resulted in over ninety thousand people dead or missing, with another eleven million made homeless.
Craftsmen were employed by Ai Weiwei to heat and then straighten each piece of steel that was badly twisted in the tragedy, by restoring them manually to their original condition prior to the unfortunate event.